Greater ambiguity lies with the understanding of the terms ‘means or methods of warfare’. These definitions most commonly encompass all those objects that are intended to directly cause harm to persons or damage to objects. States’ national definitions include a broad range of weapons-from traditional weapons, such as firearms, to munitions, missiles, non- or less-lethal weapons, and delivery systems. For example, in 2017, the Netherlands and Switzerland stated that ‘what else should fall under the category of means apart from, of course, weapons (…), that is what needs to be reviewed, is up for debate’.Īrguably, the term ‘weapons’ has been the easiest of the three terms to define. Drafters of the Protocol intentionally left the scope open to be sufficiently inclusive of a wide variety of military items, and to prevent States from evading or circumventing this prohibition by developing or defining new war-waging tools with distinct capabilities.Īt the same time, this choice may have created some inconsistency in the Protocol’s application and lack of clarity in regards to which items shall be reviewed. There is no common definition of these terms nor does another provision or the preamble of the Protocol provide context to clarify their meaning. The AP1 itself does not define the key terms: ‘a new weapon, means or method of warfare’. Terminology of weapons under pressure: fleshing out the scope of Article 36 review We need not a review of weapons, but a review of ‘technologies of warfare’, as the ICRC also calls them, a term that is adaptive to the modern battlefield, inclusive of both current and future military developments, and highlights a broad scope of review in the spirit of Article 36’s rationale. We need to move on from describing Article 36 as strictly requiring a weapons review and acknowledge that the choice of non-weaponized technologies may influence militaries’ offensive and defensive capabilities just as much as the choice of weapons. In the words of Mary Ellen O’Connell: ‘we need a radical shift about how we think of weapons!’ We need a shift to consider technologies that may be far removed from the battlefield, are not weaponized in the traditional sense, and nevertheless, significantly contribute to the conduct of hostilities. So let’s take a step back and unpack a question that is often glossed over and assumed by international legal scholars and State experts: what specifically are the ‘weapons, means or methods of warfare’ about which these regular debates are held? This narrative, however, is overly simplistic. There is a prevailing tendency among States and scholars to call it the ‘weapons review’, as if non-weaponized items were excluded. To answer this question, I point to and examine a key provision in international humanitarian law that reflects the limited freedom of States to select means or methods of warfare: Additional Protocol I (API) Article 36, which obliges State Parties to ensure that the question of the legality of ‘a new weapon, means or methods of warfare’ is reviewed with care during development or acquisition and before use and deployment. Non-weaponized AI technologies, such as decision aids or military human enhancement technologies, are frequently overlooked and lack a suitable forum.īut is this weapons-focused approach justified from a legal perspective? Despite the lack of a shared definition, LAWS are most commonly referred to as weapon systems that can select and attack targets without human intervention, a focus on weaponization that is even tautologically emphasized by the inclusion of ‘lethal’ in the name of the technology in question. However, despite the multitude of different AI applications, international fora – for example, the Convention on Certain Conventional Weapons (CCW) Group of Governmental Experts (GGE) on Lethal Autonomous Weapons Systems (LAWS) – focus exclusively on AI applications to weaponized systems. The emergence of artificial intelligence (AI) technologies and their use in conflicts is a topic of rising importance in international debates. Shifting the narrative: not weapons, but technologies of warfare.
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Step 6: Within 30 seconds of releasing the LEARN button, rush to the keypad outside your garage door, press the new passcode, and then press 0 three times. Press the LEARN button and observe the opener blinks. You must slide the mortar casing to access the button. Suppose you have a ceiling mount or wall mount opener, set up a ladder to reach the button. Step 5: Locate the “LEARN” button on your garage door opener, always near the opener’s antennae. Once you have entered the opener type number, press the # pound button. If unsure, check the backside of your device to determine your opener type’s number. Step 4: Press your garage door opener type (1-9). Step 3: Enter the new 4-digit passcode followed by the # pound button. Observe the red light blinks a couple of times until it stops to indicate reset. Step 2: Simultaneously press the * and # pound buttons to reset the password. Step 1: Locate the internal switches within the garage door opener remote control by removing its cover. Once you enter the number, you can switch the system back to ‘operate’ mode before putting it back to work.Īnyways, here is a step-by-step procedure for completing the reset task. If you have a LiftMaster garage door opener, the process requires switching from an operating mode to program mode first, followed by your preferred new 4-digit pin. Resetting your garage door keypad without the enter button is fast and straightforward. How to Reset Garage Door Keypad Without Enter Button If any of these events happen, you will have to do a quick reset to erase the previous password and create a new one for accessing your garage. However, you can forget the numeric passcode, or the entry code can stop working for some reason. Once you enter the correct passcode on the keypad, it triggers the opener to open your garage door. It typically has numeric keys from 0 to 9 and additional buttons with unique functions or features. The keypad connects to the garage door opener setup mounted inside the garage. It sits right outside the garage door, either on the right or left panel of the entrance. Most of the keypads from different brands are pretty similar in design, so you should have no trouble applying the knowledge you acquire here across various keypad models and brands.Īs the name suggests, a garage door opener keypad is a device that allows you to enter a personal code to open or close your garage door. All you need is to follow a quick and straightforward process correctly, starting with entering the gadget’s operating mode. Yes, it is possible to reprogram a garage door keypad without using the enter button, or more specifically, when the enter button is missing.
This smoke is different than the last few weeks. It can also aggravate chronic heart and lung conditions, increase the risk of stroke and heart attack, damage vital organs and shorten a person’s lifespan.įollow these helpful tips to stay safe amid the pollution. This smoke is particularly bad for you and can cause coughing, shortness of breath, increased heart rate and other immediate effects, even in healthy people. The smoke can trigger serious health problems. Wildfire smoke contains tiny pollutants known as particle matter (PM 2.5) that can get into your lungs and bloodstream once inhaled. Levels in Syracuse, New York, parts of eastern Pennsylvania and other locations across the Northeast topped 500 at times on Wednesday. Once levels top 300 they are considered "hazardous" to everyone. (PHOTOS: Smoke Engulfs New York, New Jersey ) Levels over 200 are considered "very unhealthy" and start exacerbating health issues in all people. That should help thin out the remaining smoke from the region and keep any new smoke from driving straight southward out of Canada into the East.Īir quality levels can top 300, but anything over 100 can start causing issues for people more at risk, like those with asthma or lung disease, children and the elderly.Īir quality levels over 150 can start causing problems even for healthy people. (MORE: Climate Change's Role In The Historic Air Quality Issues )Ī pattern change this weekend will finally kick the low eastward, which will help change the upper-level wind direction. Those northerly winds then drove that dense smoke southward into the eastern United States. Winds circulating with counterclockwise flow around low pressure near the Northeast helped to intensify smoke coming from a rash of wildfires in the Canadian province of Quebec late Monday and again on Tuesday. Here's how the smoky pattern began and when it will end. (MORE: These Masks Will Protect You From Wildfire Smoke ) (WATCH: Parts Of New York Look Like Mars ) You can track the real-time air quality for your area at this link. Portions of the Great Lakes and Ohio Valley also have pockets of air quality categorized as unhealthy for sensitive groups. That's a downward trend in severity when compared to the past few days for many locations, including from New York City to Washington, D.C. Here's where the worst smoke is now: Parts of the immediate Northeast and mid-Atlantic coasts have air quality categorized as unhealthy or unhealthy for sensitive groups, according to. (MORE: Air Quality Causing Disruptions, Cancelations ) Let's break down where the smoke is, where it's headed, when it will finally end and how to stay safe if you're in an at-risk area. Sign up for the Morning Brief email newsletter to get weekday updates from The Weather Channel and our meteorologists.Įxtremely poor air quality from wildfire smoke in Canada has begun to ease up in parts of the East and more improvement is expected into the weekend. Without a doubt, iMovie is the best video editing app for beginners. Winner: iMovie for its simplicity and beginner-friendly interface. With menus within menus, finding the right tools isn’t easy. While Final Cut Pro is more powerful, it can be quite daunting to wrap your head around. You’ll be confident editing your videos in no time. So, you can get started with iMovie much more quickly. It’s easy to access the tools you want, and you don’t need to spend a long time watching tutorials to get the hang of it. In comparison, iMovie has a nice, user-friendly interface. And if you’re a beginner, you’re unlikely to need the advanced tools anyway. iMovieĮven though Final Cut Pro is the more advanced program, that doesn’t mean it’s right for you.įinal Cut Pro is well-known to be much more complicated, with a steep learning curve. Winner: Final Cut Pro Learning Curve & Interface: Final Cut Pro vs. These provide opportunities for even more advanced editing and customization of your videos. So, you cannot get the original file back once you’ve saved your changes.Īlso, Final Cut Pro supports various third-party plugins, whereas iMovie doesn’t. So, you can always go back and access them on your hard drive.īut iMovie does make irreversible changes to the video files when you edit them. When you edit in Final Cut Pro, it doesn’t change the original files. There are a few other differences between iMovie and Final Cut Pro. So, Final Cut Pro gives you greater control and precision over your video editing. They are more basic than Final Cut Pro’s wide range of advanced tools and features. Let’s start off with a quick overview of video editing in iMovie and Final Cut Pro.Īs I mentioned above, iMovie has a smaller range of tools. Video editing in iMovie versus Final Cut Pro If you’ve been wondering if I need Final Cut Pro, read to find out. So, how does iMovie compare with Final Cut Pro? Here’s everything you need to know about these two video editing programs for Mac users. Let’s take a closer look at what Final Cut Pro offers below. That can be a bit daunting if you’re still new to video editing. You’ll find extra menus within menus, depending on your process. But as it has so many different tools, navigating Final Cut Pro isn’t so straightforward. You can access advanced tools like stabilization and automatic face analysis. You’ll need to have a deeper understanding of all the technical aspects of video editing. Final Cut Pro offers more features, but it also has a much steeper learning curve. For example, it’s ideal for editing wedding videos, commercials, short films, and more.īut although. So, you can use this program to create amazing high-quality videos for various purposes. That’s because it offers a whole raft of powerful tools for editing your videos. You’ll get the most out of Final Cut Pro if you already have some experience with advanced video editing. It’s a great program for professional video editing, rather than for people just starting out. While iMovie is designed for beginners, Final Cut Pro is the next level. We’ll take a closer look at iMovie’s features below compared to Final Cut Pro. So, if you need high-quality videos that look unique, iMovie probably isn’t for you. Instead, iMovie is heavily based on templates to keep things simple. But they are quite limited, and there aren’t many opportunities to customize your videos. IMovie also has some advanced tools like color correcting or making smoother transitions. So, you can quickly start editing your videos with great results. It allows you to do basic tasks like trimming, editing, and sharing videos.Īnd thanks to its intuitive, streamlined interface, it’s very easy to master iMovie. So, it’s not a program for professionals or anyone who needs advanced features.īut it is a very user-friendly app with only a small learning curve. IMovie isn’t a new program – it’s been around since 1997.Īpple designed iMovie for beginners who need some basic video editing tools. PS/2 port is now considered a legacy port as USB port has superseded it and very few of the modern motherboards include it as a legacy port. The pin out diagram of a PS/2 female connector is shown below.Įven though the pinout of both mouse and keyboard PS/2 ports are same, computers do not recognize the devise when connected to wrong port. PS/2 connectors are color coded as purple for keyboard and green for mouse. It was introduced with IBM’s Personal Systems/2 series of computers and hence the name PS/2 connector. PS/2 connector is developed by IBM for connecting mouse and keyboard.
It is the psychedelic space inside the head and our own oscillation between the “the inner and outer worlds that we inhabit” (Brüggemeier 2013) that can be considered as extremophile. 11), the role of media technology has been instrumental in exploring and gaining direct experience of the range of inaccessible places previously described. Given that sound represents only a small biologically mediated fraction of all physical vibrations of the “vibrating world” (Sterne 2003, p. It does this through discussing sonic and radio related media practices, beginning with the early 20th Century radio amateur movement, interspecies communication research and the work of tactical media artists including Natalie Jeremijenko and Marko Peljhan. Chapter 3 traverses the vast distance of sound and radio waves from the extreme environment of outer space to the depths of the oceans and cross species boundaries. This forms Rancièrian tactical “communities of sense”, with the potential to transform into a tool for a politics that does not yet exist. The wider quest for a poetics of responsibility, as with the tactical employment of “new sensitivities,” becomes a political act. Here, both artistic practice and creative research help to locate the situated awareness of these “new sensitivities”, in a context that is experiential and publicly accessible, while simultaneously renegotiating the defining boundaries of such a context. In Chapter 3 I also explore media arts practice that draws its surrounding as a dynamic and evolving environment, which is something in which to actively engage with and intervene. Such an awareness is created through the artistic and tactical employment of the “new sensitivities” (Latour 2013). By doing this, I aim to support my argument for the vital contribution that a situated awareness offers to the discussion of a poetics of responsibility from a media arts perspective. I analyse these examples according to the sense of situated awareness that they create. I am interested here in media arts practices that combine technology and sensory perception, in order to extend, refine or simply shift human sensory perception. This discussion includes the audio/video installation My City is a Hungry Ghost, the video project Nature in the Dark, and the sound installation planet ocean. In the third Chapter Sharing Space Sonically in an Extremophile Age I discuss selected examples of media practices and work by tactical media artists, including my own unrelated related series. Contributors include Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud & Ida Soulard, Laurent Gutierrez & Valérie Portefaix (MAP Office), Terike Haapoja & Laura Gustafsson, Laura Hall, Ilana Halperin, Donna Haraway & Martha Kenney, Ho Tzu Nyen, Bruno Latour, Jeffrey Malecki, Mary Mattingly, Mixrice (Cho Jieun & Yang Chulmo), Natasha Myers, Jean-Luc Nancy & John Paul Ricco, Vincent Normand, Richard Pell & Emily Kutil, Tomás Saraceno, Sasha Engelmann & Bronislaw Szerszynski, Ada Smailbegovic, Karolina Sobecka, Zoe Todd, Richard Streitmatter-Tran & Vi Le, Anna-Sophie Springer, Sylvère Lotringer, Peter Sloterdijk, Etienne Turpin, Pinar Yoldas, and Una Chaudhuri, Fritz Ertl, Oliver Kellhammer & Marina Zurkow. Taking as its premise that the proposed geologic epoch of the Anthropocene is necessarily an aesthetic event, this book explores the relationship between contemporary art and knowledge production in an era of ecological crisis, with contributions from artists, curators, theorists and activists. Once you have a plan in place you'll know all the materials to buy to bring the vision to life. If you envision DIYing your lantern centerpieces you should make a mood board before purchasing lanterns. 34 Rustic Wedding Centerpieces to Make Your Reception Tablescape Shine Tie your reception decor together with these rustic centerpiece ideas. If you're planning a DIY wedding, a quick trip to the craft store or hardware store should be your first step. Like flowers, you could either put greenery inside lanterns or surround them with boughs of greenery. They will have ideas of what type of greenery is best for your vision. Just like with flowers, the best course of action is to speak with a professional florist about how to decorate wedding lanterns with greenery. Flowers can either go inside the lanterns or surround your lanterns. Work with your wedding florist to come up with a plan for your wedding flowers and centerpieces. Or even other on-theme objects and figurines as you see fit. You can put flowers and plants inside lanterns. What to Put in Lanterns Besides CandlesĪlmost anything that fits can go inside a lantern. Whether you're hosting a beach wedding or a rustic barn wedding, there's a lantern decor idea our there for you. Do you have an idea in your mind that you've never seen done before? Go for it! Lanterns are incredibly versatile and can fit just about any wedding style. The ideas shared above should be just a starting point as you begin brainstorming your ideal lantern centerpieces. Simple Wedding Centerpiece Ideas Elegant Wedding Centerpiece Ideas Unique Wedding Centerpiece Ideas Rustic Wedding Centerpiece Ideas Simple Wedding Centerpiece Ideas Other than the centerpieces, there are a lot of elements that go into your tablescapesplace settings, table numbers, dishes, to name a few. This wood lantern was decked out with greenery and faux butterfly figurines. I loved Anns idea in the inspo pic to tie the carrots to the lanterns handle. Thanks for joining me for this wood lanterns project.Butterflies are a whimsical addition to any wedding decor. Rustic dcor blends perfectly with modern, glam, vintage and industrial styles, so whatever you choose, you can always incorporate cute rustic details. I guarantee your guests will love the wood lanterns with glowing candlelight, so much so that many of them will want to take the lanterns home! Yes we had a few guests at this wedding asking to keep the lanterns, fine by me only because it’s less to store and I can always make more :). 33 Cute And Simple Rustic Wedding Centerpieces Rustic weddings are extremely popular, and even if you haven’t chosen this style, you can always add such touches for a comfy and cozy feel. The construction process is the same regardless of size however the cut lists for the four sizes will vary. Wood Lantern, Centerpieces for wedding, lantern centerpiece, rustic home decor, wedding center pieces for tables, rustic wedding decor, ETOT (3.7k) 16. I have added the free plans for four sizes of wood lanterns here. You definitely don’t want three lanterns all the same size in the middle of the table unless maybe it’s a long straight table and you place them in a row. She chose to have each attendant carry a lantern with a single candle inside. I also varied the height and width of the lanterns just a bit to create visual interest. More Than 25 Simple Projects and Endless Inspiration for Designing Your. Speaking of DIY wedding decor ideas you should check out this mini lantern favor wall, self-standing wooden arch or exterior planter to fill up that outdoor space.įor this wedding I made 48 lanterns using both 3/4″ and 1″ wood dowels. This is a wonderful DIY wedding decor idea perfect for that special day. Such a fun project that you can make well in advance of your wedding day and have them ready to go. Shoshana Gugenheim Kedem (Founding Artist and Co-Director) is an interdisciplinary artist, Torah scribe, curator and chutzpanit.Īdam Carlin (Co-Director) is a sculptor and social practice artist that lives and works in Greensboro, North Carolina. The Greensboro Contemporary Jewish Museum, the only Jewish museum of its kind in North Carolina, is a Jewish museum created in collaboration with faculty and students in the Jewish Studies program and College of Visual and Performing Arts at the University of North Carolina Greensboro and the greater Greensboro Jewish public. Sponsored by Greensboro Contemporary Jewish Museum, Greensboro Jewish Federation, and Carolina Jews for Justice. We made a special dedication with the help of artist Beatrice Schall to our long-time friend, Seymour Levin, who we and so many in our community and beyond hold such deep love and admiration for. The event featured special guests Rabbi Sandra Lawson Southern Jewish food writer Marcie Cohen Ferris and artist Beatrice Schall. The kitchen table is a place for both nourishing and building.Ģ021’s event was built collaboratively with The Greensboro Contemporary Jewish Museum Founding artist and co-director, Shoshana Gugenheim and co-director Adam Carlin, Gabrielle Berlinger and her Jewish Folklore class at University of North Carolina Chapel Hill, and UNCG Director of Public History Anne Parsons. The event will encourage us to look at the meaning (even sacredness) of the objects we gather in our home, as well as the institution of home as the foundation for self-care, for living out our values, and for social justice work. We will not hold an ordered seder as in past years, but instead will hold an interactive gathering with speakers, readings, and discussions. As a contemporary adaptation, the event has woven together old traditions with Elsewhere’s Jewish legacy, social justice texts, and museum art-ifacts to build a narrative relevant for today.Ģ021’s event was named “Radically at Home” to mark one year under quarantine, connecting again through the virtual world that is just a big constellation of our far flung homes. "Radically at Home" is Elsewhere’s annual celebration of Passover, the Jewish ritual retelling the ancient tale of slavery, plagues, and liberation from the Book of Exodus (Shemot). “ My mother had two faces and a frying pot where she cooked up her daughters into girls before she fixed our dinner.” “Radically at Home”: Elsewhere’s 10th Annual Radical Seder Look for sun pillars when the sun is low on the horizon, and cirrus clouds are present. They develop as a result of ice crystals slowly falling through the air, reflecting the sun’s rays off of them. Sun Pillars appear as a shaft of light extending vertically above the sun, most often at sunrise or sundown. Sundogs are also known as mock suns or parhelia, which means "with the sun". The colors usually go from red closest to the sun, out to blue on the outside of the sundog. They are located approximately 22 degrees either left, right, or both, from the sun, depending on where the ice crystals are present. Sundogs are colored spots of light that develop due to the refraction of light through ice crystals. The halo is usually seen as a bright, white ring although sometimes it can have color. His aura had turned a chilly shade of ice blue. The light is not separated into its component colors because it is not being "bent" (or refracted), and all wavelengths are being reflected at equal angles.Ī halo is a ring or light that forms around the sun or moon as the sun or moon light refracts off ice crystals present in a thin veil of cirrus clouds. I mean, at first I thought it was like that, but we talked and he explained everything to me and even. Reflection of light occurs when the waves encounter a surface or other boundary that does not absorb the energy of the radiation and bounces the waves away from the surface. So, when light is refracted inside a an ice crystal or water droplet in the air, its broken into its component colors. This is most commonly observed when a wave passes from one medium to another at any angle other than 90° or 0°. Refraction is the change in direction of a wave (in this case light) due to a change in its speed. To add some understanding as to how the various atmospheric optical effects manifest themselves, it helps to understand the difference between refracted light and reflected light. Its because of these properties that we get the various atmospheric optical effects. In the atmosphere, under certain conditions, water drops and ice crystals can act as a prism, allowing us to see the various colors that make up visible light. The properties of a prism allow it to break visible light apart into its component colors colors ranging from the darkest reds, to the deepest violets, and everything in between. We can see these colors by using a prism. Visible light is composed of all the colors of the rainbow. Light is electromagnetic radiation with a wavelength that is visible to the eye. To better understand how the atmosphere produces these bursts of color, we need to understand a little something about light. Some of these optical effects include halos, sun pillars, and sundogs. The atmosphere is also capable of producing colorful displays when conditions are right. The atmosphere does more than just produce our daily weather: from sunny to cloudy days, dry to wet, stormy to snowy. How are Halos, Sundogs and Sun Pillars Created? I disagree with the other posters suggesting you read from one file and write to another. Depending on your environment and the tools that are available, you should be able to easily parse, find and replace any string in a text file.Ĥ09 As pointed out by michaelb958, you cannot replace in place with data of a different length because this will put the rest of the sections out of place. Linux has several different utilities that can perform string or text manipulation. To read this file, you can use the Get-Content command. Let’s first create one with the Set-Content cmdlet so we have one to work with. Replacing text in a file with PowerShel l is three-step process. How do you replace text in a PowerShell file? The key thing to note about the above program is, the example replaces the word ‘needs’ with the string ‘has’ via the statement %str:needs = has% The above command produces the following output. To replace a substring with another string use the string substitution feature. How to replace a substring with a string? This uses a helper batch file called findrepl.bat from – Replace some.xml with the name of your xml. Here’s the xpath.bat -small script that will allow you to get an xml node/attribute value by xpath expression without using external binaries. How to parse XML file with Windows batch Stack Overflow? I am trying to change the data between and to another variable of my choosing.īatch Script – Replace a String. I have an XML file with several tags in it, and I am trying to change the contents of one of these tags with a batch script. call set string=%%string:!find!=!replace!%% Output = This is your replacement to work with. set string=This is my string to work with. Replace a string using other existing variables To replace one substring with another using details in a variable then you need to turn on delayed expansion and use the variation below. This can be used in lots of ways and I show some of them here. In a batch file there is a syntax that can be used to replace one value with another in variables. You can run findstr from the command line or batch files.Ĭan a variable be replaced in a batch file? Third-party tools like Notepad++, GGRep, or Everything support finding text in files as well. Run findstr /? from the command line to display all parameters and options that “Find String” supports. echo %str% set str = %str:is = % echo %str% The string substitution feature can also be used to remove a substring from another string. How to remove a substring in batch script? It removes the trailing comma at the end of each line. You could use any of the numerous S/R tools you will find on the Internet or else you could use this hybrid batch/VBScript file. Batch files never had a good tool for searching and replacing strings in a text file. Using this command within a batch file allows you to search for text and create events off the results found. Using the findstr command allows you to search for text within any plaintext file. You can use the application to filter command line outputs, search individual files or entire directory structures for files with matching text. This is used to remove all spaces in a string via substitution. This is used to remove the first and the last character of a string. When to use string substitution in batch script? In the example below, this basic batch file searches through the hope.txt file for the string computerhope and, if found, echo’s back There is hope!. |
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